The Diary of a Nobody

The Diary of a Nobody

"Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to see — because I do not happen to be a 'Somebody' — why my diary should not be interesting. My only regret is that I did not commence it when I was a youth."

This is a daily weblog version of The Diary of a Nobody, written by George Grossmith and originally serialised in Punch magazine in 1888 and 1889. Bringing Charles Pooter into the 21st century, his diary is now available as a selection of weblog-style RSS feeds which you can subscribe to, via a feed aggregator, or through certain browsers. The diary restarts on April 3 each year.

You can either:-

  • Subscribe to the 2020-as-1888 feed, which is running in real-time, delivering an entry on whichever days Pooter has written one, as if 2020 were 1888.
  • Subscribe to the daily feed, starting today. This will give you one entry per day, starting from the beginning, and irrespective of the gaps where Pooter is busy or has had his diary damaged. If you want to start at a different point, or join someone else who's reading it, just change the date in the URL.
Charles Pooter

My dear wife Carrie and I have just been a week in our new house, “The Laurels,” Brickfield Terrace, Holloway—a nice six-roomed residence, not counting basement, with a front breakfast-parlour.  We have a little front garden; and there is a flight of ten steps up to the front door, which, by-the-by, we keep locked with the chain up.  Cummings, Gowing, and our other intimate friends always come to the little side entrance, which saves the servant the trouble of going up to the front door, thereby taking her from her work.  We have a nice little back garden which runs down to the railway.  We were rather afraid of the noise of the trains at first, but the landlord said we should not notice them after a bit, and took £2 off the rent.  He was certainly right; and beyond the cracking of the garden wall at the bottom, we have suffered no inconvenience.

After my work in the City, I like to be at home.  What’s the good of a home, if you are never in it?  “Home, Sweet Home,” that’s my motto.  I am always in of an evening.  Our old friend Gowing may drop in without ceremony; so may Cummings, who lives opposite.  My dear wife Caroline and I are pleased to see them, if they like to drop in on us.  But Carrie and I can manage to pass our evenings together without friends.  There is always something to be done: a tin-tack here, a Venetian blind to put straight, a fan to nail up, or part of a carpet to nail down—all of which I can do with my pipe in my mouth; while Carrie is not above putting a button on a shirt, mending a pillow-case, or practising the “Sylvia Gavotte” on our new cottage piano (on the three years’ system), manufactured by W. Bilkson (in small letters), from Collard and Collard (in very large letters).  It is also a great comfort to us to know that our boy Willie is getting on so well in the Bank at Oldham.  We should like to see more of him.  Now for my diary:-

April 3.—Tradesmen called for custom, and I promised Farmerson, the ironmonger, to give him a turn if I wanted any nails or tools.  By-the-by, that reminds me there is no key to our bedroom door, and the bells must be seen to.  The parlour bell is broken, and the front door rings up in the servant’s bedroom, which is ridiculous.  Dear friend Gowing dropped in, but wouldn’t stay, saying there was an infernal smell of paint.

The Diary of a Nobody is the fictitious diary of Charles Pooter, written by George Grossmith and originally serialised in Punch magazine in 1888 and 1889.
The text of this version is taken from the Gutenberg etext, and the weblog format was engineered by Kevan Davis (initially a straight weblog in 2004, then rewritten as an auto RSS generator in April 2007).